In this installment of the Dirk+Weiss Podcast, we make a call to Debbie Millman, president of AIGA National, to talk about a theory that could infact work to make AIGA free for its members. Also, check out an interesting article on the AIGA’s website titled “Why celebrate design during a recession?”. – http://www.aiga.org/content.cfm/why-celebrate-design
Can AIGA be free to it’s members? Lets work this out!!
Comment Below, and let us know your thoughts.
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What are some ideas to get your local AIGA chapter to be more job focused? How can the AIGA keep its members in the worst economic climate since the Great Depression? The ‘reverse job fair’ and ’speed dating’! Call made to Brandon Bird, AIGA Boston Board Member.
Note: The views in this podcast are strictly those of Dirk+Weiss and its Interviewees.
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…Or is it more like wrangling? Point is, it’s anyones game when your in the wild west.
Funny Story.
The AIGA is America’s most popular design association and has thousands of members nation wide. We have worked frequently with the AIGA on various events, and regularly attend their events throughout the year . They own all the other domain names .com, .net etc..
One day while searching for usable domains, we came across a domain that was surprisingly not purchased, AIGA.US.
So we bought it for $9.99.
Knowing that AIGA is a fairly well known business, we figured that someone would buy it up sooner rather than later. We also figured that we knew enough AIGA Boston people that someone could get the domain back to AIGA corporate. Well, before we had the chance to get a hold of corporate, we had someone contact us to buy it for $500! Out of the blue! Now this is interesting…
A domain that we bought for $9.99 was now worth $500, instantly. To avoid an old fashioned domain bidding war, we gave AIGA a chance to make an offer of at least that, and if they could match it, then we would sell it to them. I mean, we were planning on transferring it to them anyway at some point.
They did in fact match it, and will soon own the new domain. The economy is down, cash is tight, and 500 bucks is 500 bucks. Who knows what the mysterious bidder wanted to do with the AIGA.US domain. Maybe they wanted to re-sell it. Maybe they wanted to give AIGA some competition. Those details are unknown. We’re just glad the domain is now in the right hands.
Just another example of the speed and state of infancy the web is currently in. We always say that the web is still like the wild west, and in this case, domains are like nuggets from the California gold rush.
“Designers are the new rock stars!”
Wednesday, July 22nd, 2009 – On Wednesday night we spoke to a crowd of photographers, designers, and architects about our ‘number one hit single’ Anyone Can Swiss. The response to our presentation was quite exciting. We met some really great people, and enjoyed the 20 slide, 6min 20sec format, as it is in the vein of how we work: fast, to the point, and with maximized efficiency over all.
I had lots of great conversations with many people. If you didn’t get a chance to say ‘Hey!’, then drop us a comment below!
Thanks Everyone for a great evening.
Note: This is in response to “Letter from AIGA’s incoming president” from AIGA National
http://www.aiga.org/content.cfm/letter-from-aigas-incoming-president
Firstly, Don’t get me wrong. I have had some great times working and planning events with the AIGA. The Boston crowd is a great one. I was a student member for two years, and then I lapsed my membership when the dues went up. Typical story.
After reading the letter from newly elected AIGA President Debbie Millman, I was both relieved, and well, let-down. The buzz words were there that enticed me to read on (facebook, connection, transparency etc..). But when I got to the end of the letter, I noticed a few things that jarred me. Here are my comments on each section of the new AIGA initiative:
The Connectivity Initiative
This initiative boasts that “a revolution” is happening! Quick! Gather your vintage, socially active posters, and unite!! – Well, when I think of the typical AIGA fashion sometimes that is my first thought. But really, if you are a working designer right now, this is not news to you. You probably found this post by checking your Facebook or Twitter. There is a new communication structure in the works that is to be “progressive, authentic and meaningful”. I am hoping at least that what ever it is, can be proven to be effective for jobs, and useful before people buy in. There is no more “trust me” source any more in this Twitter environment we live in.
The Inclusivity Initiative
You can imagine our understanding of Debbie’s point about multi-disciplined designers feeling out of sorts with the AIGA. For a while there, we here at Dirk+Weiss felt that way. But however, only recently, have our view points changed about this topic. I feel, at least in the Boston chapter, that the need to embrace all viewpoints of design has come from a dwindling membership and the need to be unique in a print-less environment. It is great to see that AIGA National has started its 21st century emergence (even if it is nine years later), but I get the feeling that its still, just too slow of a process, and there is a lot of catching up to do (and fast).
Also, I have had a long standing gripe with AIGA’s perspective of students or recent graduates. Students are commonly overlooked by AIGA as real designers. But in reality, students are the future of this profession. They will be in the next wave of industry trends. Even in Deb’s letter, there is a feeling of catering to the thirty and over crowd. Just because someone has recently graduated, or is about to, does not make them a less valuable member of the design community.
Let’s see some student board members!
In the 20th century method, junior designers became senior designers after having much “experience”. Well, experience never hurt anyone in any field, but the playing field has changed remember. In the 21st century method, that same junior designer has probably been laid off, and is now creating a web based company, and some sort of viral mechanism to promote their venture. Why? How?! It’s simple. There are tools out on the web that allow almost anyone to do this and enable it to be seen by the world.
AIGA needs to become one of those tools. A viral, job-getting mechanism. This means they need to pull the trigger on more situations. I have noticed in my dealings with AIGA, that pulling the trigger is rare sometimes.
Oh yeah, “Break down barriers by 2014″? again, too slow of a process. In today’s time management arena, six months is long term, and technology is king. Predicting and strategizing a whole nicely packaged plan for that long away is overly ambitious, I think, for AIGA, or any company/organization. The real solution here is to get the AIGA vehicle up to the speed of not only its members, but to non-designer folks, you know, your clients. Then, when at that speed, determine how far ahead to look and plan.
Advocate the AIGA Mandate
A new mandate is a great launching pad for new things. But, I had no idea there was an AIGA mandate before I read Deb’s letter.Hmm…
“As a result, we have adopted a bold new course for meeting our mission “to advance designing as a professional craft, strategic tool and vital cultural force.”
The official new mandate can be found here.
Still, I hear nothing about how AIGA would like to help get you jobs. Designers understand their ‘craft’ and ’strategy’. In this economy, AIGA needs to be more than an “Inspirational Resource”, and actually help promote designers to non-designers.
How about this for a new AIGA mission: “The goal of AIGA is to promote the value and effectiveness of designers to the world”.
We here at Dirk+Weiss are active participants with AIGA Boston (although not members). The trend it seems is now from the ground up, rather than the top down. I feel that chapters are becoming much more independent, and almost competitive, with each other. A great, and healthy point. We feel that progression is happening, and love seeing it happen. Even if it means pushing all the right (or wrong) buttons.
Overall, all comments aside, we would like to say good luck in your new endevaur, we’re rooting for you AIGA.
Every two years, the AIGA has it’s Best of New England design competition. If you have been following our updates (or love/hate Helvetica) you probably have seen our project Anyone Can Swiss. Well, we can now call Anyone Can Swiss “Award Winning”.
That’s right, Dirk+Weiss has won a Best of New England (BoNE) award for outstanding design. The BoNE awards only go out the best New England designers with ‘knock your socks off’ work. Admittedly, the website for Anyone Can Swiss is not your typical graphic design project, but somehow, it felt right at home inside a graphic design competition.
Overall, we feel the judges connected to the bigger picture, and maybe even had a little fun with the project. That’s exactly what we wanted. Anyone Can Swiss is not just a “Perfect Helvetica Poster Generator”, it is a social experiment for graphic designers. Sure it pushes a few buttons, and causes some to ask “is this a joke? or serious?”. That’s the whole idea: contemplation and discourse.
We would like to thank the AIGA BoNE Show Judges and AIGA Boston for taking the time consider Anyone Can Swiss as an award winning design project, and creating an opportunity for us here a Dirk+Weiss to promote what we do to the greater design community.
Now what? Well, check out our Anyone Can Swiss iPhone app. Why the iPhone? We ask simply, why just be on the web, when you can be on the web and mobile? And we feel it is a safe assumption that many of the 40,000,000 iPhone users in the US are indeed, graphic designers.
Above: Microsoft’s Surface Interface. Proprietary madness. Lets go open-source and make it available to everyone!
In typical Dirk+Weiss fashion, we are building an interface for this years 2009 AIGA BoNE Show. This kiosk combines projection and a touch input device, powered by a custom software interface.
The purpose of this kiosk is to showcase the website winners of this years Best of New England design competition. Our goal is to create an interface that is not only well designed, but extremely intuitive.
The next generation of software interface is well, interface-less. Menu’s are going away and being replaced by hand gestures and organic content design. Thanks to a generous donation from TechSuperpowers in Boston, we have access to a MacMini and other various components for hardware. Come by the show in June, to check it out!
AIGA BoNE Show 2009 Info >>
This past Thursday there was another AIGA “meet and drink” event in Cambridge, MA. These events are great opportunities to network and see some fellow designer buds. I was anticipating this one to be no different than any of the other countless “AFTA’s” I have attended, but I must say, this time the word FREE was buzzing in the air.
Usually when I talk about free things, its mainly Open Source software or great places to learn technology for free. But in this case, free refers to “Freelance”. Out of all the people I talked to (about 12 in 2.5hrs), five have either quit their job or got laid off, and are starting to freelance and independent contract regularly. Of course, Freelancing is not free, you will get paid, but what a connection.
This trend is just one of the clear examples I can see, that proves that the web is still in an infant stage, and efficient technology drives design. Freelancing and independent contracting gigs are out there, lots of them. Business’ still need designers, just with no strings (salary, benefits, etc.) attached. What is a pension anyway?
I am excited to see that designers are getting themselves out there. By using social media and Open Source technology, plus some smart branding, you can make a business for yourself. Set up your website to give the user instant gratification; the faster the better.
In this economic climate, if you can deliver good, efficient design, companies will hire you. They just want to know that you can make it work.
This past Saturday, I attended the annual AIGA Student Portfolio Review at MassArt, Boston.
The event started with all the reviewers, corralled, anticipating and chit-chatting amongst each other about what they do and what they expect to see. As the doors opened, the sight of all the students, looking nice and nervous at the same time, was quite exhilarating. It reminded me of a time not to long ago, when I was on their side of the table.
As I went from person to person, looking at posters, books, and corporate stationery, I quickly realized that the most needed advice to the students, was that of the so-called “Big-Picture”. There were obvious signs that the students have diligently practiced their craft; typography was tight and craft was clean. So after seeing this, I began to tell the students to relax, and that I was not there to nit-pick about un-kerned 12 point type.
I was very interested in hearing what the plans were for these students post-graduation. Where would they take their design skills? A job? Graduate Program? Freelance?
Because of the economy, most students had no idea what was in store next. They did understand however, how important it is to create valuable connections not only to other designers, but companies as well.
I felt I was able to provide some insight to the value of creating connections, and some of the methods that connections can be made. The first buzz word to arise is “Facebook”, then “Twitter”, then the common phrase “I need a website, but don’t want to learn Dreamweaver.” When I here this, I smile politely, and recommend a more realistic approach that is content management based. I explain that HTML websites are OK at best, and then go on to explain the power and simplicity of systems like Wordpress and Indexhibit. Their eyes go wide.
One student in particular, I found was looking for the Big Picture talk. Michael Deal is a design student who loves information graphics and the Beatles.
He found in his design class, while working on an information graphics project, that lots of connections can be made withing a particular subject. He told me quite a few times, that he wished he had an entire class about this subject (information design).
We talked for quite some time about how he could apply his skills in design to not just posters of information, but to business models, products, and events. Probably the best conversation about design happening in the room.
These students at the MassArt Review seemed like fast paced, social network savvy individuals who seem satisfied with their schooling. I could see the wanting though, to take on not just design projects, but larger goals. Overall, a feeling I got from many of the students: “I can do graphic design…now what? How do I make an impact?”
I guess my last bit of advice here would be: Branch out, make connections to what ever can help you move forward. Remember, regular people are your clients, continually get to know the world they live in, and you will be fine.
Michael Deal - "Beatles Citing Beatles"
Last night’s Hugh Dubberly lecuter @ MassArt was fascintating, inspirational, and a bit exhausting.
Entitled: “Design in the Age of Biology”, Hugh covers his thesis that explains how the ideas and principles of design have moved from mechanical to organic, and object to system. Many points (and charts) show how the trends of technology movements influence designers and the products they make.
In terms of technology, the Open Source software movement is one example of his theory. The old dev model was to have software be proprietary, with big conglomerates holding all the cards. The new dev model, that is proven to work, is to allow software to be developed by an unlimited community of developers. This creates faster more efficient development, as it uses the “from the ground-up” model instead of “from the top-down”. In short, let the users design the software, for free.
The second point that seemed to stick out in my mind was the “then and now” of the designers role. There is a transition going on now for designers. Graphic designers especially, seem to be in the thick of it. Before graphic designers, there were printers who set type. Then graphic design became what it is/was in the 20th century, a slew of “Lone-Gunman” designers, who (are expected to) hold all the cards for the client. Now, a transition is happening again. The days of the “Lone-Gunman” are over. Designers can produce a stronger, more efficient product for their client if collaboration is encouraged and implemented.
Clients expect the designer to be at maximum efficiency. The internet, social media, and the speed of information access set the standards for designers to operate in.
“In the first part of the 20th century, there were great circus posters in Poland. Go to Poland, and see. But now, designing the poster is just not enough. Designers are expected to design an entire circus. Oh yea, and a poster to advertise the show.”
-Nathan Felde, Chair of the AIB Design Department, Boston.
From www.dubberly.com
