Note: This is in response to “Letter from AIGA’s incoming president” from AIGA National
http://www.aiga.org/content.cfm/letter-from-aigas-incoming-president
Firstly, Don’t get me wrong. I have had some great times working and planning events with the AIGA. The Boston crowd is a great one. I was a student member for two years, and then I lapsed my membership when the dues went up. Typical story.
After reading the letter from newly elected AIGA President Debbie Millman, I was both relieved, and well, let-down. The buzz words were there that enticed me to read on (facebook, connection, transparency etc..). But when I got to the end of the letter, I noticed a few things that jarred me. Here are my comments on each section of the new AIGA initiative:
The Connectivity Initiative
This initiative boasts that “a revolution” is happening! Quick! Gather your vintage, socially active posters, and unite!! – Well, when I think of the typical AIGA fashion sometimes that is my first thought. But really, if you are a working designer right now, this is not news to you. You probably found this post by checking your Facebook or Twitter. There is a new communication structure in the works that is to be “progressive, authentic and meaningful”. I am hoping at least that what ever it is, can be proven to be effective for jobs, and useful before people buy in. There is no more “trust me” source any more in this Twitter environment we live in.
The Inclusivity Initiative
You can imagine our understanding of Debbie’s point about multi-disciplined designers feeling out of sorts with the AIGA. For a while there, we here at Dirk+Weiss felt that way. But however, only recently, have our view points changed about this topic. I feel, at least in the Boston chapter, that the need to embrace all viewpoints of design has come from a dwindling membership and the need to be unique in a print-less environment. It is great to see that AIGA National has started its 21st century emergence (even if it is nine years later), but I get the feeling that its still, just too slow of a process, and there is a lot of catching up to do (and fast).
Also, I have had a long standing gripe with AIGA’s perspective of students or recent graduates. Students are commonly overlooked by AIGA as real designers. But in reality, students are the future of this profession. They will be in the next wave of industry trends. Even in Deb’s letter, there is a feeling of catering to the thirty and over crowd. Just because someone has recently graduated, or is about to, does not make them a less valuable member of the design community.
Let’s see some student board members!
In the 20th century method, junior designers became senior designers after having much “experience”. Well, experience never hurt anyone in any field, but the playing field has changed remember. In the 21st century method, that same junior designer has probably been laid off, and is now creating a web based company, and some sort of viral mechanism to promote their venture. Why? How?! It’s simple. There are tools out on the web that allow almost anyone to do this and enable it to be seen by the world.
AIGA needs to become one of those tools. A viral, job-getting mechanism. This means they need to pull the trigger on more situations. I have noticed in my dealings with AIGA, that pulling the trigger is rare sometimes.
Oh yeah, “Break down barriers by 2014″? again, too slow of a process. In today’s time management arena, six months is long term, and technology is king. Predicting and strategizing a whole nicely packaged plan for that long away is overly ambitious, I think, for AIGA, or any company/organization. The real solution here is to get the AIGA vehicle up to the speed of not only its members, but to non-designer folks, you know, your clients. Then, when at that speed, determine how far ahead to look and plan.
Advocate the AIGA Mandate
A new mandate is a great launching pad for new things. But, I had no idea there was an AIGA mandate before I read Deb’s letter.Hmm…
“As a result, we have adopted a bold new course for meeting our mission “to advance designing as a professional craft, strategic tool and vital cultural force.”
The official new mandate can be found here.
Still, I hear nothing about how AIGA would like to help get you jobs. Designers understand their ‘craft’ and ’strategy’. In this economy, AIGA needs to be more than an “Inspirational Resource”, and actually help promote designers to non-designers.
How about this for a new AIGA mission: “The goal of AIGA is to promote the value and effectiveness of designers to the world”.
We here at Dirk+Weiss are active participants with AIGA Boston (although not members). The trend it seems is now from the ground up, rather than the top down. I feel that chapters are becoming much more independent, and almost competitive, with each other. A great, and healthy point. We feel that progression is happening, and love seeing it happen. Even if it means pushing all the right (or wrong) buttons.
Overall, all comments aside, we would like to say good luck in your new endevaur, we’re rooting for you AIGA.
Join Dirk+Weiss and AIGA Boston at Pecha Kucha Night. July 22, 1009 @ 6:30pm. The goal of these events is to talk about ‘our’ design work, in a setting that is comfortable and not pretentious. Come support all the speakers and Dirk+Weiss at this open forum type event. Each speaker is given 6min and 40seconds to talk about what they do as a creative professional.
Our topic will include designing for now and the power of interconnecting design concepts with smart technology. For more information: http://www.pecha-kucha.org/cities/boston
What is Pecha Kutcha?
“Pecha Kucha (which is Japanese for the sound of conversation) has tapped into a demand for a forum in which creative work can be easily and informally shown, without having to rent a gallery or chat up a magazine editor. This is a† demand that seems to be global – as Pecha Kucha Night, without any pushing, has spread virally to over 100 cities across the world. Find a location and join the conversation.”
If you have not already seen our smash hit site AnyoneCanSwiss, please do check it out. In the first 48 hours, 11 thousand unique-visitor, poster submissions, we’re collected and shared on Flickr. And now, AnyoneCanSwiss, is going mobile.
Here at Dirk+Weiss, we have created a new iPhone app that takes the concept of AnyoneCanSwiss, and makes it mobile. In the next few weeks, you will be able to download your own Swissmaker 2.0 App to your iPhone from the App Store on iTunes. And did we mention, its totally free!
The app will not only make instant Helvetica posters, but will allow you to save the posters to you photo library on your phone. From there, the possibilities are endless! Email a poster to friends, or set one as your phone wallpaper. If any other app on your phone can access your photo library, it can also access your posters.
Also included with the launch of the Swissmaker 2.0 iPhone App, is an advertising model that can connect interested brands to a niche viral market. This process of co-branded advertising is a no-risk model in you only pay for the views you receive. If you our your company is interested in co-branding with AnyoneCanSwiss, send us a message.
Over at Convince and Convert, owner Jason Baer expresses his wealth of knowledge of social media and the trends that apply. His theories apply greatly to what we do here at Dirk+Weiss, including viral online marketing and return on investment.
In this video, Jason is speaking about how people use the web now, and mentions some stats from an “internet usage” study that was released. Always great to see how Jasons knowledge aligns with our practice and usage of marketing across social networks.
Very interesting: “Is social media being used more for communication or entertainment or both?”
Journalists still complaining about how technology and social networks are killing print news? Newspapers will try to convince you of the old tale that says “If it’s in print, its real”. Well this story out of Ireleand is one for the papers (or is it?!).
Shane Fitzgerald is a senior studying sociology and economics at University College in Dublin Ireleand. Shane carefully crafted a quote of a recently dead musician on the musicians Wikipedia page. The quote was indeed fictitious, and was printed in prominent newspapers in England, India, USA and down under in Australia. A few weeks after his posting, he notified the newspapers that the quote was a fictitious fabrication, and part of his studies.
So what have we learned? People will sacrifice exact information for instant news, if not viral news. This is much the reason why newspapers are in the state they are currently in.
Everyone uses Wikipedia, including newspaper journalists.
Apparently, long time software developers are finally making bank by creating one of those $1.99 iPhone apps. I have now read countless articles about struggling software companies who are giving up their pc/mac box development, for the iPhone platform.
So what’s in an iPhone app? Well, from what we can see, besides some code and graphics, there is an underlying philosophy that has put up the white flag to proprietary software piracy. Software companies have, and are beginning to understand that there is no bringing down piracy. The old mentality and business model of “big box, big software, big price” has been eradicated by open, collaborative development, and the iPhone has brought the same software development strategy to a mobile and light weight, if not viral stage.
Lets do a quick calculation for an example iPhone app’s annual revenue:
200 downloads/day x 1.99/download x 365 Days = $145,270!
Now that’s the way to make a six figure salary.
Stay tuned for the Anyone Can Swiss iPhone app!!
Above: Microsoft’s Surface Interface. Proprietary madness. Lets go open-source and make it available to everyone!
In typical Dirk+Weiss fashion, we are building an interface for this years 2009 AIGA BoNE Show. This kiosk combines projection and a touch input device, powered by a custom software interface.
The purpose of this kiosk is to showcase the website winners of this years Best of New England design competition. Our goal is to create an interface that is not only well designed, but extremely intuitive.
The next generation of software interface is well, interface-less. Menu’s are going away and being replaced by hand gestures and organic content design. Thanks to a generous donation from TechSuperpowers in Boston, we have access to a MacMini and other various components for hardware. Come by the show in June, to check it out!
AIGA BoNE Show 2009 Info >>
This past Saturday, I attended the annual AIGA Student Portfolio Review at MassArt, Boston.
The event started with all the reviewers, corralled, anticipating and chit-chatting amongst each other about what they do and what they expect to see. As the doors opened, the sight of all the students, looking nice and nervous at the same time, was quite exhilarating. It reminded me of a time not to long ago, when I was on their side of the table.
As I went from person to person, looking at posters, books, and corporate stationery, I quickly realized that the most needed advice to the students, was that of the so-called “Big-Picture”. There were obvious signs that the students have diligently practiced their craft; typography was tight and craft was clean. So after seeing this, I began to tell the students to relax, and that I was not there to nit-pick about un-kerned 12 point type.
I was very interested in hearing what the plans were for these students post-graduation. Where would they take their design skills? A job? Graduate Program? Freelance?
Because of the economy, most students had no idea what was in store next. They did understand however, how important it is to create valuable connections not only to other designers, but companies as well.
I felt I was able to provide some insight to the value of creating connections, and some of the methods that connections can be made. The first buzz word to arise is “Facebook”, then “Twitter”, then the common phrase “I need a website, but don’t want to learn Dreamweaver.” When I here this, I smile politely, and recommend a more realistic approach that is content management based. I explain that HTML websites are OK at best, and then go on to explain the power and simplicity of systems like Wordpress and Indexhibit. Their eyes go wide.
One student in particular, I found was looking for the Big Picture talk. Michael Deal is a design student who loves information graphics and the Beatles.
He found in his design class, while working on an information graphics project, that lots of connections can be made withing a particular subject. He told me quite a few times, that he wished he had an entire class about this subject (information design).
We talked for quite some time about how he could apply his skills in design to not just posters of information, but to business models, products, and events. Probably the best conversation about design happening in the room.
These students at the MassArt Review seemed like fast paced, social network savvy individuals who seem satisfied with their schooling. I could see the wanting though, to take on not just design projects, but larger goals. Overall, a feeling I got from many of the students: “I can do graphic design…now what? How do I make an impact?”
I guess my last bit of advice here would be: Branch out, make connections to what ever can help you move forward. Remember, regular people are your clients, continually get to know the world they live in, and you will be fine.
Michael Deal - "Beatles Citing Beatles"
With headlines like “The New York Times Co. has threatened to shut the Boston Globe…”, and a stream of articles from The Huffington Post about the print media death watch: http://www.huffingtonpost.com/tag/death-of-newspapers (A personal favorite is To Newspaper Moguls: You Blew It by Jeff Jarvis.), What can I say?
Google is not going away, aggregators are only going to get faster and more efficient / accessible. So the only advice to give is: Wake up and smell the ink-on-paper!”. Newspapers, you’ve had your time.
I wonder though, what is the solution for a medium that thrives on yesterdays news? There must be a solution to this! In a previous post, I talked about a theory for a new E-Paper device. Good idea, but the rate of closing newspapers is faster than the rate that the device could be distributed. Not to mention prototyping and research. A large E-paper device is just to satisfy the “ritual” of holding a newspaper as an object. Google has already proven that people will forgo the physical object if they can access more data faster. So is there a solution? Slim to none.
Our business is located in the heart of the Boston area. When we heard that the Boston Globe was given an ultimatum to find 20M, or face the reaper, it was an eye opener, but not un-expected. Boston is known for its twenty something college students. Sorry Boston Globe, in the life of a college town, Facebook and iPhones are king.
Last night’s Hugh Dubberly lecuter @ MassArt was fascintating, inspirational, and a bit exhausting.
Entitled: “Design in the Age of Biology”, Hugh covers his thesis that explains how the ideas and principles of design have moved from mechanical to organic, and object to system. Many points (and charts) show how the trends of technology movements influence designers and the products they make.
In terms of technology, the Open Source software movement is one example of his theory. The old dev model was to have software be proprietary, with big conglomerates holding all the cards. The new dev model, that is proven to work, is to allow software to be developed by an unlimited community of developers. This creates faster more efficient development, as it uses the “from the ground-up” model instead of “from the top-down”. In short, let the users design the software, for free.
The second point that seemed to stick out in my mind was the “then and now” of the designers role. There is a transition going on now for designers. Graphic designers especially, seem to be in the thick of it. Before graphic designers, there were printers who set type. Then graphic design became what it is/was in the 20th century, a slew of “Lone-Gunman” designers, who (are expected to) hold all the cards for the client. Now, a transition is happening again. The days of the “Lone-Gunman” are over. Designers can produce a stronger, more efficient product for their client if collaboration is encouraged and implemented.
Clients expect the designer to be at maximum efficiency. The internet, social media, and the speed of information access set the standards for designers to operate in.
“In the first part of the 20th century, there were great circus posters in Poland. Go to Poland, and see. But now, designing the poster is just not enough. Designers are expected to design an entire circus. Oh yea, and a poster to advertise the show.”
-Nathan Felde, Chair of the AIB Design Department, Boston.
From www.dubberly.com
